From the graduation exhibition of the Estonian Academy of the Arts. Of course my students' work was the best but I've already posted images here so I'll show something else which caught my eye...
It's work by Ksenia Jedomskihh called 'Vice Versa Nikolai'. She graduated from fashion design.
I don't know if it's the reference to Eastern European bling...
or the ordnance...
or the 80's references...
but whatever it is, I love it. And the backsides are pretty good too...
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It was raining in Tallinn...
but the art performance went ahead...
I'm not sure what it was about but the performer was carrying a (stuffed and dirty) swan and had plastic lobsters hanging off his dacks. He was leading us to an exhibition opening and on the way asked passers by if they could wipe the rain from his glasses.
The exhibition was a group show of artists who had taken part in a 'conceptual drawing' workshop. Needless to say, there was little drawing. It was very interesting and it was exhibited in a squat near to my apartment. This particular building had apparently been used by the KGB during soviet times as a place to 'interview' certain persons and afterwards became a squat inhabited by artists. It's now to be demolished or renovated by a developer and the artists (some of whom lived in the building) all responded to aspects of the building's history.
Unfortunately I couldn't find the names of the artists (or the performer) and the invite is in Estonian so if any of my Estonian readers want to contact me with details I'll add them here.
The image above was of a work exhibited in the roof of the building. I was nervous entering the roof as it was dark and it stank and the beams were all charred! but it was worth it. The images below are also part of the work but I had to use flash which destroys the atmosphere created by the darkness of the space.
This was in one of the rooms downstairs...
It would occassionally emit low thunderous sounds which were appropriate for the rainy day and it created quite an ominous atmosphere which seemed appropriate for the future of the building.
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...to that previous post. I while checking out Hillary Pfeiffer's website I found that she has a blog too. It's cool, go check it out.
While in Finland, I visited Fiskars Village.
It's very picturesque. It's also the ancestral home of Fiskars Ironworks. You know, the scissors.
When Fiskars needed more room and moved out, the artisan squatters arrived.
This guy is working in the forge and that machine is a 'pounding stamper' (that's a davername) it must be to blacksmiths what the electric rolling mills are to jewellers.
The village is full of artist's studios, craft shops and galleries. It's an hour and a half from Helsinki and it's very beautiful and seemingly very well run and everything is of an extremely high standard. I was really impressed by the 2 group shows that were on in the two big galleries: 'Points of View' at the Copper Smithy and 'Transparent' at the Granary.
The Copper Smithy
The Granary
A work that really caught my eye was a collaboration between Hilary Pfeifer and Christian Bannister. It was exhibited in 'Points of View'. Hilary Pfeifer came to Fiskars as an artist-in-residence and brought with her a selection of music on her iPod, chosen for her by Christian Bannister, to listen to while she worked. This was the result...
It's a section of a long wall work and unfortunately the image doesn't reproduce the colours well. When she returned home she gave the piece to Christian because she "wanted to hear what it sounded like". Christian then created a sound work as a response to Hilary's wall work and she then made another series of objects as a response to his second recording.
Both recordings could be heard on headphones near the artworks. I love collaborations, particularly when artists respond to each others work.
I also saw this fantastic product in one of the shops...
porcelain milk jugs! (sorry, I couldn't find the name of the designer)
And here are some close ups of the old mill which is constructed from 'slag bricks' I guess they're a bi-product of the steel making process but they're quite beautiful.
And so, the end of my stay is nigh. I'm outta here next Friday, boo hoo. It's so hard to say goodbye.
Last weekend I went to Helsinki.
I have no idea what that says.
The highlight was a trip to Kiasma, the Museum of Contemporary Art.
some nice architecture. And some more...
(just showing off my photography skills really)
There were a couple of excellent exhibitions on and I particularly loved 'Wind from the East – Perspectives on Asian Contemporary Art'. I actually felt a certain connectedness to the works and it was more than just a geographical link. Perhaps it's because, in Australia, we are exposed to work from Asian countries. Or maybe it's because I'm more aware of the issues which affect artists in Asia than those in Europe, but the connection is something which I haven't experienced with most of the European art I've been seeing.
This is an installation by Indonesian artist, Eko Nugroho called 'Enough is Enough'.
The view from the other end of the gallery.
The pieces that you see attached to the wall are machine embroidered fabric (I think. Shula? If they're done by hand then I'm even more impressed).
I also really enjoyed the video work of Yang Zhenzhong (China)
'922 Rice Corns'
and (whispering) I don't usually enjoy video art, and can rarely sit through the full length of works. But I sat and watched this 2 times over and it's simply a rooster and a chicken pecking rice corns while 2 voices count (in Chinese - a male voice for the rooster and a female voice for the hen) to 922 as each piece of rice is pecked and eaten. The numbers bottom left count up the hen's corns and the numbers bottom right, the rooster's. The total is in the middle
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